Vince Gilligan aims high with his sci-fi series Pluribus, and it mostly works, anchored by Rhea Seehorn’s dazzling performance — read our review.
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Rachel Sennott’s 'I Love LA' feels like a mash-up of earlier HBO comedies about young people, but it never quite finds a voice of its own — read our review.
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From Hulu's 'Chad Powers' to FX's 'The Lowdown,' here are the year's 10 best TV shows that have flown under the radar.
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Ethan Hawke is fantastic as a scruffy truth-seeker in FX’s 'The Lowdown,' a laid-back modern noir with charm to spare — read our review.
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Jude Law and Jason Bateman make Netflix’s grim crime drama 'Black Rabbit' worth watching, even when the story crumbles around them — read our review.
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The 2025 Emmys were, in a word, chaotic, mixing genuinely inspiring moments with stilted comedy bits — read our review.
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'The Paper' does deliver laughs, but some characters don't fit at all, and it can't quite escape 'The Office's' shadow — read our review.
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Review: 'Mare of Easttown's' creator has crafted another riveting crime drama in 'Task,' packed with emotional complexity and powerhouse performances.
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Review: USA's 'The Rainmaker' is a tepid, muddled retelling of the John Grisham legal thriller that falls short, despite John Slattery’s charms.
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FX's 'Alien: Earth' is a more than worthy entry in the 'Alien' franchise, with terrifying action and heady philosophy — read our review.
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Hulu’s 'King of the Hill' revival brings back the comfortingly low-key vibe of the original, along with a few smart updates — read our review.
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Review: Lena Dunham's Netflix rom-com 'Too Much' has a certain charm and a great lead performance, but its central romance is too shaky to sustain it.
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If 'The Bear's' previous season was a letdown, Season 4 is a triumphant return to form, with raw emotion and beautiful performances — read our review.
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Review: Amazon’s 'Countdown' is a testosterone-heavy thriller that delivers big action, even when the story doesn’t hold up. Your dad will love it.
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An uninspired soap with laughably bad dialogue, 'The Waterfront' is trying to be the new 'Yellowstone,' but it doesn’t come close — read our review.
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'Succession' creator Jesse Armstrong returns to HBO with the new movie 'Mountainhead,' but it's a crushing disappointment — read our review.
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FX’s Gen Z sitcom 'Adults' is a welcome shot in the arm to TV comedy, with a cast of talented newcomers that deliver huge laughs — read our review.
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Netflix's 'Sirens' tries to follow in the footsteps of 'The White Lotus' with soapy drama in a luxury setting, but it falls flat — read our review.
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Review: 'The Four Seasons' is less zany than Tina Fey's previous TV work, but still delivers solid laughs, beautiful locations and a fantastic cast.
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Overwritten and underbaked, Apple's 'Your Friends & Neighbors' borrows from other, better shows, but falls short by comparison — read our review.
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'The Last of Us' remains an exceptionally well-made zombie thriller in Season 2, but it’s sadder and harsher than ever — read our review.
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Apple TV+'s 'Dope Thief' puts a refreshing twist on the crime drama genre with top-notch performances and a wicked sense of humor — read our review.
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Review: Seth Rogen’s showbiz satire 'The Studio' has lots of cool cameos, but gets too caught up in Hollywood lore to be consistently entertaining.
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Premiering Monday, CBS' 'Beyond the Gates' is broadcast TV's first new daytime drama in 25 years. And it's about dang time, says TVLine's Andy Swift.
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NBC and CBS are going old-school with new sitcoms 'Happy's Place' and 'Poppa's House' — read our review.
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Review: Netflix’s 'Zero Day' may have a star-studded cast, but they're saddled with a convoluted script that falls well short of their talents.
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No, The Pitt is not an ER reboot. But it may just be TV's best, most authentic medical drama since the one that made Noah Wyle a star — read review.
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